Siddiqui Slams ‘Do Patti’s music Akhiyan Nu Rehan De’ as a ‘Sordid Ripoff’ of Folk Legend Reshma’s Music

Pakistani actor Adnan Siddiqui has openly criticized the creators of the upcoming Bollywood film Do Patti, which stars Kajol and Kriti Sanon, for their rendition of the iconic song “Akhiyan Nu Rehan De” by legendary folk singer Reshma

Pakistani actor Adnan Siddiqui has openly criticized the creators of the upcoming Bollywood film Do Patti, which stars Kajol and Kriti Sanon, for their rendition of the iconic song “Akhiyan Nu Rehan De” by legendary folk singer Reshma. Siddiqui expressed his disappointment, accusing the filmmakers of “tearing apart” the cherished melody. He emphasized that the timeless folk classic deserved a more respectful reimagining rather than being adapted into a fast-paced dance number titled “Akhiyaan De Kol,” which features Sanon in a red leather bodysuit. Siddiqui, known for his roles in Pakistani dramas such as Ghughi and Maatand and the Bollywood film Mom, took to X (formerly Twitter) to express his displeasure. He shared a screengrab from the music video, lamenting the treatment of Reshma’s legacy. “Imitation can be flattering, but not when it means tearing apart a classic by a legend.

Please show some respect for Reshma Jee and the legacy she left behind. Siddiqui emphasized that her music warrants respect and should not be compromised by exploitation, stating, ‘Her legacy deserves dignity, not dilution.’ The reimagined track, ‘Akhiyaan De Kol,’ boasts an impressive collaboration: Tanishk Bagchi’s composition, Kausar Munir’s poignant lyrics, Shilpa Rao’s enchanting vocals, and Mellow D’s impactful rap contribution. Despite crediting the original creators, including Reshma, composer Khan Muhammad, and lyricist Sehrai Gurdas Puri, Siddiqui felt the modern adaptation fell short in honoring the legendary song. Do Patti, directed by Shashanka Chaturvedi and written by Kanika Dhillon, is set to stream on Netflix from October 25. However, the controversy surrounding the song’s recreation has sparked discussions about the ethics of reworking classic music.